Whirls
and twirls (MTA), 2009 by Sol
LeWitt
This art installation is
“Whirls and Twirls” by Sol LeWitt. This tile drawing is installed at a stairway
and landing from the mezzanine to the platforms of A, C, B, D and 1 trains in
Columbus Circle station. It is 53 feet by 11 feet and consists of more than 200
porcelain tiles in six colors. Smooth curves, and straight bars in vibrant
colors with vertically and horizontally way fill the entire wall. The exact
dimension of tiles is enough to show significant techniques of Sol LeWitt even
though they are not usual materials LeWitt used. It is a special project
because it is the last commission before LeWitt passed away and it is permanent
public installation. The title “Whirls and Twirls” and curves of the work are
like riding a roller coaster. They represent the New York city as the busiest
city in the world. Especially, the Columbus Circle station has five different
lines. There are more than 69,000 commuters who use this station according to
New York Times. The colors represent the station is the center of the tourists,
business and recreation; there are Central Park and Columbus Circle, hotels, offices,
restaurants, residential areas and shopping areas. Visitors come to Columbus Circle
with different purposes and from different locations. The colors also show that
the New York City is mixed of different cultures and people.
Artemis, Acrobats, Divas and Dancers, 2001
by Nancy Spero
Along with platform walls on the 1 train at 66th
Street – Lincoln Center station, there are several murals with beautiful color
mosaic for Uptown and Downtown both bounds. The 22 series of murals are made
with brilliant colorful glass and ceramic and dimensions are variable by Nancy
Spero. This station is connected to Lincoln Center, which is home of opera,
ballet, classical music and other performing arts in New York. Artistic
characters of Lincoln Center are depicted with the mural on 66th
station. The central icon of the murals is the Diva with gold and red mosaic,
and the Diva is repeated in various forms with other characters such as
musicians, athletes and mythical creatures. Those images on the murals make the
station to a energetic place, and represent the feeling of the neighborhood,
which is dynamic and artistic. Visitors at 66th street can feel the
neighborhood with the murals when they get off a train to visit the Lincoln
Center. Because background color of the mural is neutral, movements and colors
of the characters are embossed. Spero wants to convey narrative stories through
these powerful movements on murals. “They occur
and re-occur. The musicians can be playing or dancing, either for a melancholy
or happy occasion, and in a procession. I do a lot of storytelling, but it’s
without a real narrative.”
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