Course Description

This course will investigate the ways in which artists have presented narratives in the public realm and the organizations that have made the presentation of those works central to their curatorial practices over the last 40 years. Focusing on recent works presented in New York’s public spaces by Creative Time, The Public Art Fund, the Percent for Art Program, Arts for Transit and other non-profits organizations, this course will look at what it meant to tell stories and open discourses that challenged or interrogated widely-held value systems, the events and the politics of their time. In addition to the specifics of current and other key works and projects, we will discuss the conditions that governed the development of public performance, temporary and permanent installations, the ways in which those works were influenced by public approval processes and governmental agencies, media coverage and community response. Each student’s final project will be an on-line proposal for an exhibition that conveys a “narrative“ developed in the context of this course, referencing other relevant works .

Tuesday, October 13, 2015

Group 4 Mission Statement: Dominique, Kun, Angran, Erin


Mission Statement

Our overall mission is reflecting the fear of people interacting in this day and age through multiple performance pieces held throughout the city. We live in a time where people are connected 24/7 online via smartphones, computers, and tablets. The connection of a simple face-to-face conversation is rapidly disappearing. Social anxiety over simple conversations is something that many people face. This is a new problem. The four of us will attempt to tackle this problem via four different performance art pieces. The performances will be meant to encourage the public to step away from their smartphones, interact with the art, and most importantly, each other.


Some examples of similar projects include:

Example


Printed Glass + Vanceva Interlayer = Mind Blown!

What happens when you combine digitally printed glass with super vibrant Vanceva coloured interlayers? A full spectrum colour bonanza that makes Rio’s Carnivale look like a overcast winters day!   



Kolonihavehus by Tom Fruin, Fulton Ferry at Brooklyn Bridge Park
Tom Fruin's stained-glass stunner between the Brooklyn Bridge and Jane's Carousel has been in a million Instagrams since its installation last September, but whatever, it still looks so beautiful, and at so many different times of day, that you'll probably break out your camera again anyway.

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