Course Description
This course will investigate the ways in which artists have presented narratives in the public realm and the organizations that have made the presentation of those works central to their curatorial practices over the last 40 years. Focusing on recent works presented in New York’s public spaces by Creative Time, The Public Art Fund, the Percent for Art Program, Arts for Transit and other non-profits organizations, this course will look at what it meant to tell stories and open discourses that challenged or interrogated widely-held value systems, the events and the politics of their time. In addition to the specifics of current and other key works and projects, we will discuss the conditions that governed the development of public performance, temporary and permanent installations, the ways in which those works were influenced by public approval processes and governmental agencies, media coverage and community response. Each student’s final project will be an on-line proposal for an exhibition that conveys a “narrative“ developed in the context of this course, referencing other relevant works .
Monday, October 5, 2015
Informal Narratives. Williamsburg Bridge
People converted the asphalt into the canvas for conversation. They weren't simply tagging the surface with names as it usually happens, but leaving meaningful messages for fellow bikers and walkers often telling very personal stories.
Somebody drew a set of comic cells on the ground leaving blank spaces for other people to fill in creating an opportunity to tell a personal narrative.
Another interesting I encountered was this mask which was placed on the police telecommunication booth.
At first I didn't think much of it, dismissing it as something accidental, until I came across a similar mask in Williamsburg (319 Bedford Ave) placed on the both sides of the door way of the main entrance.
Doing research I found out that masks were art pieces designed by CRISP, an Australian artist based in Bogota, Colombia. The artist had a great appreciation for graffiti and other forms of street art. In his art, he wants to give people something more interesting to look at other then traditional medium through the use of stickers, stencils, carving, ceramic masks, posters and murals. He placed numerous mask throughout different neighborhoods of Brooklyn, marking the streets with his creativity.
Another interesting piece I came across was on the Brooklyn side of the bridge. This installation is located on the roof of one of the adjacent to the bridge building. The placement of the installation is odd, unexpected and, at first, looks like a playfully joke. The installation is the replication of a book cover Baton Rouge Death March, describing the life of a hurricane Cathrine survivor. The installation is only visible for people crossing the bridge, making it a work of art rather then an advertisement.
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