Course Description

This course will investigate the ways in which artists have presented narratives in the public realm and the organizations that have made the presentation of those works central to their curatorial practices over the last 40 years. Focusing on recent works presented in New York’s public spaces by Creative Time, The Public Art Fund, the Percent for Art Program, Arts for Transit and other non-profits organizations, this course will look at what it meant to tell stories and open discourses that challenged or interrogated widely-held value systems, the events and the politics of their time. In addition to the specifics of current and other key works and projects, we will discuss the conditions that governed the development of public performance, temporary and permanent installations, the ways in which those works were influenced by public approval processes and governmental agencies, media coverage and community response. Each student’s final project will be an on-line proposal for an exhibition that conveys a “narrative“ developed in the context of this course, referencing other relevant works .

Monday, October 5, 2015

Patricia Casey_Informal Narrative Response


What is popular at the time-in public and private sectors-often coincides with the circumstances, in this instance that would pertain to the time of year-October. In the past week I’ve found that during the month of October, the visual culture of our city surrounds the idea of a changing season. The start of fall marks the start of warmer color palettes and pumpkin spiced product placement. All signs and advertisements contribute to fall and what drink pairs well with the weather, or the newest and latest fashion for the approaching season. Halloween ornamentation in prominent as the city’s promoting various haunted houses and events. Even the LIRR advocates the latest fall festival or Octoberfest event in which you (the commuter or passerby) may want to attend.

No comments:

Post a Comment