Course Description

This course will investigate the ways in which artists have presented narratives in the public realm and the organizations that have made the presentation of those works central to their curatorial practices over the last 40 years. Focusing on recent works presented in New York’s public spaces by Creative Time, The Public Art Fund, the Percent for Art Program, Arts for Transit and other non-profits organizations, this course will look at what it meant to tell stories and open discourses that challenged or interrogated widely-held value systems, the events and the politics of their time. In addition to the specifics of current and other key works and projects, we will discuss the conditions that governed the development of public performance, temporary and permanent installations, the ways in which those works were influenced by public approval processes and governmental agencies, media coverage and community response. Each student’s final project will be an on-line proposal for an exhibition that conveys a “narrative“ developed in the context of this course, referencing other relevant works .

Sunday, September 27, 2015

Subway Art_Patricia Casey

SUBWAY ART-BROOKLYN

Artwork: DeKalb Improvisation (Stephen T. Johnson)

Installed in 2004 in affiliation with the Percent for Art project, artist Stephen T. Johnson created the mural entitled “DeKalb Improvisation," located on DeKalb Avenue Subway Station in Brooklyn, N.Y. The artists intention was to commemorate the space as a center of historical and cultural significance. The artist incorporated local iconography throughout the work by including the local zip code (718) and the local area code (11217). The other imagery of the mural is also instantly recognizable as the artist reimagined features of portraits on playing cards we are all accustomed to seeing at one time or another. The artist also stated that The King and Queen motifs symbolize the final destinations of the subway – Kings County and Queens County. The bright and vivid colors mesh together as a compilation of thousands of glass mosaic pieces. The figurate and the abstract features of the work make for a chaotic and brilliant spectacle that radiates movement.

Artwork: Gardens of Fort Hamilton Parkway Station (Portia Munson)

In 2012 artist Portia Munson developed a number of incredibly striking stained glass murals that are located all along the platforms of Fort Hamilton Parkway Station. The work consists of six sets of laminated glass photographic images. Each piece measures approx. 4 feet high x 9 feet long and is divided into five sections. The images are of gardens that were originally photographed from an aerial view and taken during different seasons of the year and all of the various gardens are comprised of flowers that can be seen growing in Brooklyn. The natural repetition of the natural forms are inherently reminiscent of mandalas and serve as a visceral moment in the lives of urban travelers, tourists and commuters alike. The works are both fantastical and meditative in their nature and almost hypnotic in their color.

Artwork: The Flora of Bensonhurst (Joan Linder)

Joan Linder’s work: The Flora of Bensonhurst consists of laminated glass pieces and were installed on the subway platforms of 71rst St.in 2012. The artist initially created large scale drawings using pen and ink which were later scanned and reproduced in the form of laminated glass. Evidently the artist deliberately rendered the plants in cool colors on the Manhattan bound platform where as Brooklyn bound direction is composed of warm colors. The drawings of the plant life are also intentionally swaying in conjunction with the trains direction. This permanent art piece of botanical images serve as a tribute the flora and fauna of the neighborhood.

Artwork: Brooklyn Bucolic (Ed Kopel)


At the station of Avenue H in Midwood, Brooklyn is a shingled wooden cottage that initially constructed as a real estate office that turned transit station house. The building was constructed at the turn of the century and is now the only station designated a landmark by the New York City Landmarks Preservation Commission in 2004.  Artist Ed Kopel paid tribute to this site in 2012 with with his new piece, Brooklyn Bucolic. The artist altered the exterior of the building by turning the north and east façades into an active community porch while the building retains its original charm. The artist modeled the cast bronze rocking chairs after the 19th century which are anchored in place and varying in size. Each chair bears a unique treatment whether it be in the weaves, colors and pattern. The placement and uniqueness of each chair creates an interesting narrative content as the cozy porch setting commemorates a simpler time and reflects the sites unique charm and authenticity of the location.

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