Course Description

This course will investigate the ways in which artists have presented narratives in the public realm and the organizations that have made the presentation of those works central to their curatorial practices over the last 40 years. Focusing on recent works presented in New York’s public spaces by Creative Time, The Public Art Fund, the Percent for Art Program, Arts for Transit and other non-profits organizations, this course will look at what it meant to tell stories and open discourses that challenged or interrogated widely-held value systems, the events and the politics of their time. In addition to the specifics of current and other key works and projects, we will discuss the conditions that governed the development of public performance, temporary and permanent installations, the ways in which those works were influenced by public approval processes and governmental agencies, media coverage and community response. Each student’s final project will be an on-line proposal for an exhibition that conveys a “narrative“ developed in the context of this course, referencing other relevant works .

Sunday, September 13, 2015

High Line Narrative

High Line has become a transcendental runway where people go to see and to be seen. The High Line serves up the Big Apple on a 30 feet high floating promenade. Look eastward, you can savor the view of Midtown’s iconic skyscrapers.






 Look west, and the Hudson River lolls by. The High Line takes you past the windows of high-rise offices and apartments and increasing luxurious condos rising around it.




 Looking down from High Line, you see all the unique bistros of Meatpacking District, or the leafy cross streets of West Chelsea, or the ribbons of silver commuter cars in the Hudson Rail Yards. 






Another reason that contributes High Line’s success is its density and diversity of visitors. Joggers run by to enjoy the last bit of sunset. Tourists sit there to devour on the food they get from Chelsea Market. Readers take up any secluded corner to be fully immersed in their imagination and the environment. City parks and nearby density need each other to be successful. Density without nature is soulless, while a park without density is unlikely to be loved, maintained, and safe. 










Focusing on the interactions between human and surroundings, one can see from these Gifs that High Line offers a variety of opportunities to interact with, and these interactions become the main components of the narratives. Each subject’s motive is different and separated. Nevertheless, these individual narratives are what configure the rich characteristics of High Line. There is no boundary at High Line. One can utilize the space on his or her own desire.














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