Course Description

This course will investigate the ways in which artists have presented narratives in the public realm and the organizations that have made the presentation of those works central to their curatorial practices over the last 40 years. Focusing on recent works presented in New York’s public spaces by Creative Time, The Public Art Fund, the Percent for Art Program, Arts for Transit and other non-profits organizations, this course will look at what it meant to tell stories and open discourses that challenged or interrogated widely-held value systems, the events and the politics of their time. In addition to the specifics of current and other key works and projects, we will discuss the conditions that governed the development of public performance, temporary and permanent installations, the ways in which those works were influenced by public approval processes and governmental agencies, media coverage and community response. Each student’s final project will be an on-line proposal for an exhibition that conveys a “narrative“ developed in the context of this course, referencing other relevant works .

Monday, September 14, 2015

Public Art Survey - Soho


Erin, Sena, and I were assigned the Soho to Lower Manhattan Region. I approached the Soho area specifically. The narrative that caught my eye the most was Richard Haas’ Facade Mural. This mural was created in 1975. This was the first painting that had the traditional trompe l’oeil painting techniques on an exterior of a building. The building that the mural is on, is conveniently next to a one story building, so the whole side of the building is exposed. The mural is a mirror image of the front of the building. Ideally, this mural is making the building infinte in a sense. Since there was empty space on the side of the building, Haas wanted to juxtapose the architecture of the building. Now, in today’s age no one has no idea what this mural is, or how much importance it has to art history. Of course the paint is now faded and there is graffiti covering the bottom half of the windows and there's a tree obstructing the mural. It is not quite the same nor will it ever be. Within this area, I also noticed that it is a heavy tourist area. Soho is of course known for its shopping, in a way it is a shopping mall of the city, I often myself walking through Soho at night because there is barely anyone around because of the shops being closed. Tourists have no reason to come to Soho at night. I myself, find Soho being more relaxing during the night and I try to avoid it at all costs during the day. Another observation I took note of was, in the lower east side, early in the morning is where everybody walks their dog. I must have seen 5 dog owners on the same block near my apartment. I figure they want to walk their dog first thing so they can go on with their days without worrying about their dog later in the day. The question is how long do they spend time walking their dog in the early morning hours? Do they do this every morning?



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