Course Description

This course will investigate the ways in which artists have presented narratives in the public realm and the organizations that have made the presentation of those works central to their curatorial practices over the last 40 years. Focusing on recent works presented in New York’s public spaces by Creative Time, The Public Art Fund, the Percent for Art Program, Arts for Transit and other non-profits organizations, this course will look at what it meant to tell stories and open discourses that challenged or interrogated widely-held value systems, the events and the politics of their time. In addition to the specifics of current and other key works and projects, we will discuss the conditions that governed the development of public performance, temporary and permanent installations, the ways in which those works were influenced by public approval processes and governmental agencies, media coverage and community response. Each student’s final project will be an on-line proposal for an exhibition that conveys a “narrative“ developed in the context of this course, referencing other relevant works .

Tuesday, December 1, 2015

Proposal draft. Group 1

Patrik, Mischa, Kim, Janine.

Link to the presentation

Link to the Blog

Draft of the proposal:

Rebuild
Walk of Change
metamorpholis
fantasy
wripples

what artist organizations
sample proposal that would be sent to the artist(s) of interest for collaboration
budget: artist fee + production budget
creative time, list of artists that best suit with our concept

Blog Content:
Background, Description, Reason Why, Location & Context, Duration, How will people see it/be aware of it.

          Development is often associated with growth, evolution and progress. Many would consider this as a positive phenomenon that reflects an interaction of the existing form, an improvement, a new stage. But there are many of those who would recognize the opposite side of the coin. With convenience and economic prosperity development almost inevitably cause demographic shift and thus cultural change. With this kind of change the historical backgrounds become detached from ‘now’. Sometimes a good intention sets the chain reaction of development projects that could completely erase that initial impulse. One of the most notorious examples of such scenario was the High Line Park. The project that brought a carefully crafted park into the Chelsea and Meatpacking District. The park reflects on the historical significance of the area and its industrial past and reestablishes connection with the nature that was long gone from the urban environment. Unfortunately for the residents of these neighborhoods, the success of the project brought an unhealthy interest to the community. The real estate developers started a race of multimillion dollar condos highrises fighting for every square inch of the land. If one was to look at Manhattan from across the river, all she would see would be toothpicks of steel beams. Such methods resulted in the neglect community and prohibitive cost of living for those who fought for the High Line Park to be realized. This is a vivid example of what we refer to as a “Ruthless development” when the community needs and desires are no longer the major factor of decision making, and the goal is to achieve as much profit as possible. In our exhibition, we explore different themes and issues proposed by development and uncontrolled, “ruthless” development in particular. We focus our efforts on the waterfront area of Williamsburg, Brooklyn. Within a short period of time, the neighborhood undergo some changes and became a major platform of development that resulted in the project that were catered to upper middle class.  This caused a drastic change in the demographic of the neighborhood, pricing out smaller ethnic groups and most of the industry.  With the change in demographic, other development project followed that jeopardised the wholesomeness of the community that will discuss later.  Our exhibit will consist of a number of site-specific artworks that will explore emotional responses to the changes that are being implemented in Williamsburg. Influenced by the theme of development, our concept documents and visualizes responses and perceptions that the Williamsburg community has towards the changes within the neighborhood. We want to provide the residents with the means to positively impact their environment and develop a sense of ownership over the neighborhood.
The site represents a stretch of land along the waterfront of Williamsburg, from South 4th Street to Bushwick Inlet Park. The visitors will walk along Kent Ave where several installations are placed. The points of interest are as following: Domino Sugar Factory, Vice Media new warehouse, Northside Pier and Bushwick Inlet Park.

Talk of each installation technical requirements, maintenance, overnight/weather protection
- sound wall (domino factory and ex- music venues): speakers and headphones should be installed in closable wall shelves (metal or glass… no wood) for rainy and snowy weather.

For the water projection in the river, a medium for the projector to project onto is needed. We would like to use a fog machine that will create a wall for the projections to exist onto in which it will create an interesting piece that will shift and have the illusion of motion. Some concerns would be a source of electricity for the projector and fog machine to operate. There should be daily maintenance to prevent overheating and this piece is best seen at night. Other factors that could affect the presentation is the weather; rain and fog might cause unexpected results from the projector.

-interactive wall (kinect, proximity sensors, projectors) require weatherproof and on-site troubleshooting.

-spirit ghost forest (portable projectors, clear plexiglass). Will require weatherproof, attendance at night time

  1. Discuss who will be involved in this project, who are the artists/participants and how they will be selected;(need to discuss the participatory aspect. Are we going to allow submission from other artists? what is the residents input?)

             Participatory public art initiatives encouraging locals and other artist to contribute. Provide locals with the means to positively impact their environment. to develop a sense of ownership over the neighborhood. People who have connections to the neighborhood, who either live, lived or worked in there.
Many collaborators that will offer multiple viewpoint. Community based


  1. Discuss how that project intersect with government structures and regulations;



  1. Discuss what you see as a realistic planning, development and execution timeline;

After deciding on a budget, we will recruit artists within the Williamsburg community.

  1. Begin to outline aspects of the project that will have associated costs, make notes about what is required to determine real costs

What we need:
- sound wall (domino factory and ex- music venues)
: Speakers and headphones (4-6 each), Wall shelves, Electricity...
- water projection
: Fog pipes, Portable projectors, Electricity …
Fog Machine: ~ $99 can go up to $500
-interactive wall
:
-spirit ghost forest
: Portable projectors, Plexiglass sheets ...

Present a preliminary design for the blog/site you will use as the context for your exhibition. Be aware that you need create summary page with a link to the site/blog you build for exhibition. this format should also provide a place for comments on the site as a whole.

Proposal

-Abstract (executive summary)
-Intro
-statement of need. Describes a problem and explains why you require a grant to address the issue.
-objective Refine your idea and tell exactly what you expect to accomplish in response to the need.
-method What you will do to accomplish your objectives within a stated time frame
-evaluation Measures your results and effectiveness. This should correspond to your objectives
-future finding Details feasible plans to sustain your project. This applies only if the project will run indefinitely.
-artwork overview. General description of proposed art work.
-location
-design (Include color, dimensions, inlays, type of art, unique artistic detail and any other description that adds to the merits of your proposal.
-materials
-maintenance Include details as to its durability, on-going repair needed, upkeep, safe keeping.
-budget

identify your audience as specifically as possible

People who live in the area, both those who have lived for a long period and those who recently moved into, also people who visit the area often. But it could also be anyone who happens to pass by our projects, any age, sex …


REQUEST FOR PROPOSAL: (ARTIST/ORGANIZATION)

MISSION: Summary of our Group Essay Intro

ARTIST ELIGIBILITY: (TYPE OF ARTIST)
Digital Artists, have a connection with Williamsburg and understands of the changes happening there

GOALS:
Create a walking narrative within Williamsburg on Kent Av.
LOCATION:

APPLICATION REQUIREMENTS: (IDEA/CONCEPT)

POLICIES:

SITE SPECIFICATIONS:

(MAP w/ Labels)

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