Course Description

This course will investigate the ways in which artists have presented narratives in the public realm and the organizations that have made the presentation of those works central to their curatorial practices over the last 40 years. Focusing on recent works presented in New York’s public spaces by Creative Time, The Public Art Fund, the Percent for Art Program, Arts for Transit and other non-profits organizations, this course will look at what it meant to tell stories and open discourses that challenged or interrogated widely-held value systems, the events and the politics of their time. In addition to the specifics of current and other key works and projects, we will discuss the conditions that governed the development of public performance, temporary and permanent installations, the ways in which those works were influenced by public approval processes and governmental agencies, media coverage and community response. Each student’s final project will be an on-line proposal for an exhibition that conveys a “narrative“ developed in the context of this course, referencing other relevant works .

Tuesday, December 8, 2015

Grass in Motion team responses (In class exersize)

Team Grass: Tiffany Kao, Rick Rodriguez, Sae In Kang, Taylor Swift

Our issue we have chosen to inquire about is Gun control. Our questions are as follows

1. How easy or difficult should it be to acquire a fire arm in the United States?

2. Do you know anyone who owns a firearm or weapon?

3. Do you believe that everyone should have the right to bear arms?

Individual responses

Rick: I plan on working in enterprise software and solutions. Technology helps us have a much more detailed picture of large scale operations and infrastructure. Especially within the public safety realm, having analytical understanding of the people that public safety officials serve, technology helps give the relevant information that paramedics and police officers need to respond to critical situations. I personally believe having a better understanding of large sets of data to help cities move quicker in response to natural disasters or acts of violence does make a difference in protecting the well being of the people in a city. 

Tiffany: I plan on working in the field of using immersive technologies to help us understand our world. After studying in Design and Technology for four years, I realize that people have developed a love/hate relationship with technology in general. We feel like technology has created a separation between human interactions and nature, but the truth is technology has become the next nature. Our data-network, financial system have become ecosystems that are beyond our control. I believe that all technology will evolve and be integrated into our lives eventually. My role as a designer in the world is to help people understand the relationship between technology and nature, and to push people think beyond how technology can only be used to improve our lives. It is time for us to stop looking at technology and nature as two separate entities, and start thinking about how technology can be the bridge between human and nature. 

Sea In Kang : As an illustrator, I think I have a responsibility to be connected by the world, and what is happening out there. Honestly, when I was beginning my study of illustration, in freshman year, I used to think that recognizing what is going on in the world is not hugely related to creating my own works. However, as I keep living and studying in New York, I have realized that paying attention to the exterior events is absolutely important in terms of reflecting the world I am living into my works. Even though most of the classes I am taking in my field are not intensely connecting to current events happening, thus I have focused on my own world, now I am really interested to think and discuss in the worldwide size. Therefore, I think this class and the works we have done is definitely meaningful and significant to grow as an illustrator. 




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