Course Description

This course will investigate the ways in which artists have presented narratives in the public realm and the organizations that have made the presentation of those works central to their curatorial practices over the last 40 years. Focusing on recent works presented in New York’s public spaces by Creative Time, The Public Art Fund, the Percent for Art Program, Arts for Transit and other non-profits organizations, this course will look at what it meant to tell stories and open discourses that challenged or interrogated widely-held value systems, the events and the politics of their time. In addition to the specifics of current and other key works and projects, we will discuss the conditions that governed the development of public performance, temporary and permanent installations, the ways in which those works were influenced by public approval processes and governmental agencies, media coverage and community response. Each student’s final project will be an on-line proposal for an exhibition that conveys a “narrative“ developed in the context of this course, referencing other relevant works .

Tuesday, December 8, 2015

Food For Thought --In class exercise.-Individually-Kun Yang

2. Individually, create a bullet pointed list of three to five aspects of the practice you plan to pursue that might influence or provide a means to addressing those challenges.


Kun Yang
Free lance fashion designer

Need a lot of basic and skills and create inspirations
Need to design different styles clothes, and not limited to a single style, therefore need a lot of knowledge to enrich inspiration
 
Interpersonal communication
According to the basic requirements of customers To establish a large design inspiration for it. Understand customer in one hundred percent
 
Photography and painting
Need to accurately show the aesthetic feeling of physical clothes And all the design details have showed in sketches

No comments:

Post a Comment